20x24 (![[info]](http://l-stat.livejournal.com/img/userinfo.gif){kind=small} 20x24) wrote,@ 2007-08-30 14:53:00 |
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Reading Festival 2007 Part 1
It's essential to use a light meter when dealing with a temperamental 35mm camera. Mine hadn't worked for close to two years when, all of sudden, it suddenly swung into life as I was standing in front of 5,000 fans at Reading Festival, wearing a bright yellow skirt that drew too much attention.
Good Shoes Fans
35mm / f5.6 / 1/30 / ISO 200
Walking out in front of that many people was nerve wracking. There was nowhere to hide and my knees kept knocking together. But after a while, I forgot they were there and roamed the stage, trying hard not to trip over wires.
I'm really pleased with how these turned out. Without a light meter, they'd be blurry, smoky and tinged with a red haze.
Steve
35mm / f11 / 1/250 / ISO 200
Tom
35mm / f8 / 1/60 / ISO 200
Joel & Rhys
35mm / f8 / 1/250 / ISO 200
It's essential to use a light meter when dealing with a temperamental 35mm camera. Mine hadn't worked for close to two years when, all of sudden, it suddenly swung into life as I was standing in front of 5,000 fans at Reading Festival, wearing a bright yellow skirt that drew too much attention.
Good Shoes Fans
35mm / f5.6 / 1/30 / ISO 200
Walking out in front of that many people was nerve wracking. There was nowhere to hide and my knees kept knocking together. But after a while, I forgot they were there and roamed the stage, trying hard not to trip over wires.
I'm really pleased with how these turned out. Without a light meter, they'd be blurry, smoky and tinged with a red haze.
Steve
35mm / f11 / 1/250 / ISO 200
Tom
35mm / f8 / 1/60 / ISO 200
Joel & Rhys
35mm / f8 / 1/250 / ISO 200
